I’m no Sally Field, but…

I don’t know how many of you were even watching the Oscars back in 1984 when Sally Field, upon winning her second statuette, couldn’t help herself and blurted out “…you like me, right now you like me…”

It was a moment that either touched you or made you squirm, depending on your reading of 1) her sincerity or 2) her “uncoolness.” I mean, it’s not cool to draw attention to yourself, is it?

But that’s what we’re asked to do today as authors. Writers (with the exceptions of Norman Mailer and Gore Vidal) are usually shy, retiring types, content to hide behind the written word. (I know I am, anyway.) They want their writing to be discovered, not themselves. But these days we have to get out there and meet and greet people, introduce ourselves online, in bookstores, libraries, even at the local Costco or Walmart.

We can no longer hide behind our characters or make do with an interview here or there. We have to share our souls, as well as our faces, on our websites, blogs, on Facebook, Twitter, Goodreads, our Amazon Author Page, you name it. It seems as if ten new online sites spring up every week, trying to convince you that if you don’t register with them, you’ll be left behind in cyberspace.

And after going through the initiation into Google Friend Connect, may I just say that now I fully understand the sentiment Ms. Field tried to convey years ago. Thank you to all those who joined my site.

I tried to look up Google Friend Connect etiquette, wondering if I was supposed to respond individually to each of you whose faces now share that little box with mine. I couldn’t find anything about it. (However, I did come across a goldmine of a post regarding the etiquette of socializing on Twitter…Heard of socialoomph.com? More about that tomorrow.)

So, if I’ve messed up somehow by not separately contacting each of you, please let me know (email would be a lot less humiliating than a comment below) and I will. But, for now, thank you all. Everybody wants to have friends, to be liked. Sally Field understood that. And I do, too.

Originally posted 2010-05-18 14:57:28.

I’m Ready for Review (I Think)

Once you add Google Friend Connect to your website, you feel absolutely naked online. It’s as if you’re alone in a vast wilderness. Hello? Can anyone hear me?

I decided tonight that I would throw all caution to the wind and invite all 600+ Facebook friends to check out the new website, leave some comments, and…hopefully…keep me company in that bare area of white space under “Followers” in the side bar.

Of course, I realize that most of my acquaintances aren’t checking out Facebook right now. After all, it’s FHE night. So all you ACS alumni–now’s the time to show some support, okay? I’m hoping that by tomorrow morning I’ll get a few hits and a few Google Friends. (I guess I’d better send out a few emails as insurance.)

Anyway, I’m still working on getting my book trailer embedded on the home page, as well as a few other images. But please feel free to tell me what works and what doesn’t. The Bio’s too long, isn’t it? And I know I need to post a couple of sample chapters from The Reckoning and my newly finished manuscript, Laps. I have a ton of links that still need to be added, plus some poetry. But I’d welcome comments on the Baghdad photos in the meantime. Should I add photos of Greece or Lebanon?

This is still very much a work in progress, so put your two cents in now.

Originally posted 2010-05-17 20:52:43.

Living Online

Over the past three days, I believe I have spent 20+ hours working on rebuilding my website, all at the expense of my family and my writing. I realize that, these days, an author needs to be concerned with “platform,” but what’s the point of a platform (in this case, online presence) if you spend so much time building it that you lose focus on your most important roles…not marketing yourself, but being who you are first and foremost–a writer.

Where is that delicate balancing point in my daily routine between the craft and the salesmanship? I believe it’s time to pull out my notes from the Northwest Writers Retreat last October and review Marsha Ward’s counsel.

In the meantime, I’m giving myself till the end of the day on Tuesday to add all the content I can to my website (with, or without, images on the home page). If any of you out there have any answers as to how to size your images correctly so as to fit them in a widget in the side bar (using HTML code, I believe)…PLEASE get in touch with me by email. Or even leave a comment here.

After Tuesday, I’m doing a final polish on Laps (taking into account the feedback I’ve gotten), taking a few deep breaths, and sending out my first batch of queries by Friday. It’s time I got offline and started living again!

Originally posted 2010-05-16 19:54:12.

The 15 Reasons We Write

Or do any other art, for that matter, because I think the following list applies to all the arts.

Lest you think I’ve thrown over my writing for narration and producing, let me assure you I’ve been writing.

But why? Narration, in comparison, seems so easy. Why then do I write?

Several articles and bits on the Internet over the past month have put my mind in a whirl, ending with a FB posting by a fellow author on a private FB page that elicited several responses from other authors…all of which I read at 10 p.m. last night (a big mistake).

As you may imagine, I went to bed but could not get to sleep. The gist of her posting had been about our motivations to write, good or bad, mistaken or not. All these things kept me turning from side to side, my eyes wide open, until I finally made a bargain with my brain.

“Brain,” I said, “if you will just shut down for a few hours, I promise to work all this out in the morning.”

There was no immediate reply, so half an hour later, I added, “Please.”

That must have worked because I woke up five and a half hours later, a little bleary-eyed, but grateful nonetheless.

So I’m keeping my end of the bargain with my brain.

This is my list of the 15 reasons I could conceive that cause us to write (or do any other art):

  1. It’s an addiction…an irresistible urge or need to set fingers to keyboard or pen to paper and create words on a page (or whatever your art entails).
  2. It’s a calling…and, yes, there is a difference between this and number 1; an addiction is irresistible, while a calling can be resisted or put off, sometimes for days, sometimes months or even years.
  3. It makes us happy…the very act of creation, in and of itself, whether we get published and see sales or not, brings us joy.
  4. It helps us organize the disorganized…any creative endeavor entails organizing disorganized matter, whether it be thoughts zooming in every direction through our brain, pictures in our mind that come randomly, etc.)
  5. It helps us work through things emotionally…whether it’s dealing with trauma, assuaging guilt, or whatever is weighing on us consciously or subconsciously.
  6. We want to gain acclaim or popularity…either with the so-called literati or the mainstream, or both.
  7. We want to gain power or a platform…in order to influence others (which is kind of ironic because we authors these days are told to build our platforms first if we want to even be published…of course, we do this by writing on blogs, websites, social media, etc.)
  8. We want to make extra money…not that we need it, but we could use it to help our families, friends, etc.
  9. We want to survive economically…now, in this case, we absolutely depend on the money we can make from writing (which is usually next to nothing).
  10. We want to teach, inform, or help…we use our writing to open the eyes of our readers to history or new ways of doing things, or to share solutions to common problems. (This is where a lot of non-fiction comes in, but it can also include fiction.)
  11. We want to persuade others to our view…everything from propaganda to persuasive essays (and novels often do this in subtle ways, too).
  12. We want to hone a talent…because we’ve been taught that only practice makes perfect and if we leave a talent alone, it will be lost.
  13. We want to find our voice…there is an intrinsic need to not only know who we are but then express that through our art. (This is not necessarily the same as number 1, because some writers are more consumed by story than voice.)
  14. We want to find our audience…after all, what good is a voice without an audience, even if it’s only an audience of one?
  15. We want to discover truth…and so often, while engaged in our art, it spills out unexpected, especially to the author, composer, choreographer, artist, actor, director, etc.

Now, having proposed all those reasons, I am certainly open to more. Please comment below if you have any quibbles with this list or any addendum.

The important thing each writer (or artist) must do, I believe, is to check off those items on the list that apply to them and disregard the others. Once we recognize all the different reasons we write, our path to feeling fulfilled by our craft will be clearer. It will become clearest if we can then prioritize our motivations.

For example, if you aren’t concerned about using your writing to survive economically or to gain popularity, then you needn’t worry about marketing or sales. You may be after acclaim, but not popularity…in that case, you’re going to want a traditional publisher (and maybe an MFA), but sales won’t be nearly as important as your voice and skill. Two of the six books shortlisted for this year’s Man Booker Prize have sold less than 4,000 copies.

For me, numbers 1, 7, 9, and 11 don’t apply at all. And I think number 15 is my prime motivator, which is a relief, really, because finding truth has absolutely nothing to do with getting an agent, getting traditionally published, getting on the NYT Bestseller list, or winning awards.

That’s why the account of the Italian author, Elena Ferrante, in the Guardian struck such a chord with me and started all my cogitating about a writer’s motivations. I loved what she wrote in her letter to the publisher about her first book (and they took her on anyway, by the way):

“I believe that books, once they are written, have no need of their authors.”

“I do not intend to do anything for [the novel] Troubling Love, anything that might involve the public engagement of me personally. I’ve already done enough for this long story: I wrote it. If the book is worth anything, that should be sufficient. I won’t participate in discussions and conferences, if I’m invited. I won’t go and accept prizes, if any are awarded to me. I will never promote the book, especially on television, not in Italy or, as the case may be, abroad. I will be interviewed only in writing, but I would prefer to limit even that to the indispensable minimum… I understand that this may cause some difficulties at the publishing house… I don’t want to cause trouble. If you no longer mean to support me, tell me right away, I’ll understand. It’s not at all necessary for me to publish this book…”.

All I can say is “Brava!”

So what are your motivations? Please share.

I am going to try for the next 15 weeks to blog at greater length about each of these reasons, so look for more about writing being an addiction next week.

While I don’t suffer such an irresistible urge, I know plenty who do. If you’re one of them, let me know if you’d like to guest post for me about it.

Originally posted 2015-09-22 10:41:02.

“Monday Mystery” – CROOKED HOUSE

Marlene Bateman has another brand new Erica Coleman Mystery out, entitled CROOKED HOUSE. And I am honored and pleased to kick off its blog tour.

ACrooked House Blog BANNER with dates

Synopsis

Someone is trying to kill Liz Johnson and it’s up to quirky private investigator, Erica Coleman, to find out who. Erica is no stranger to murder and mystery, which is why her best friend’s daughter, Megan, turns to her when unaccountable and potentially fatal “accidents” threaten her roommate’s life.

Once Erica arrives at the ramshackle old mansion known as Crooked House, matters go from disturbing to deadly as it becomes clear someone is trying to kill Liz. As Erica begins to unearth secrets, she discovers a twisted web of love, money, greed, and deception. Although the police and friends sometimes find Erica’s OCD annoying, its those very traits that help her sift through evidence and see clues that others miss. Erica must draw upon her all her investigative prowess to keep Liz safe and unmask the killer before he can accomplish his deadly objective.

With a dash of romance and surprising twists, this thrilling mystery will keep you on the edge of your seat until the very last page. As with all Erica Coleman mysteries, ten delicious recipes are included.

A Cover for A Crooked House

Excerpt

“I’m scared.”

Erica’s heart turned over when she heard the quaver in her young friend’s voice on the phone.

Then Megan asked, “Can you come?”

“Of course.” Erica’s reply was automatic. She would do anything she could to help. Although she often received emotionally-laden phone calls in her job as a private investigator, there was a difference when the call came from the teen-aged daughter of her best friend. The very fact that Megan—who was usually so calm and composed—sounded frightened out of her wits, put Erica on high alert.

“I think someone’s trying to kill my roommate, Liz,” Megan said.

“What makes you think that?” Erica asked. “Has someone threatened her?”

“No, but Liz has had a couple of serious accidents lately—at least she says they’re accidents, but either one of them could have killed her.”

Erica made an effort to reel in her skepticism. “Tell me about them.”

“First, someone tampered with her car. The brakes went out and Liz ended up driving across someone’s yard and hitting a tree. Fortunately, she was okay. The second one happened downtown. Liz was on the sidewalk waiting for the bus when someone shoved her. She fell into the road. A truck was coming and if a guy hadn’t pulled her back, Liz could have been killed.”

Still, they could have been accidents, Erica thought, at least until the third one occurred—this time at Crooked House.

A picture of Marlene Bateman

Bio

Marlene Bateman was born in Salt Lake City, Utah, and graduated from the University of Utah with a BA in English. She is married to Kelly R. Sullivan. Her hobbies include gardening, camping, reading, and enjoying her four cats and three dogs.

A Cover for Motive for MurderMarlene’s first novel was the best-selling Light on Fire Island. Her next novel was Motive for Murder—the first in a mystery series that features Erica Coleman, a quirky private eye with OCD. The next book in that line, (they do not have to be read in order) is A Death in the Family.

A Cover for A Death in the FamilyMarlene has also written a number of LDS non-fiction books under the name Marlene Bateman Sullivan. Those books include: Gaze Into Heaven; Near-death Experiences in Early Church History, which is a fascinating collection of over 50 documented near-death experiences from the lives of early latter-day Saints, Heroes of Faith, and Latter-day Saint Heroes and Heroines. Marlene also wrote three books about documented accounts in early LDS church history when a person either saw or heard an angel; Visit’s From Beyond the Veil, And There Were Angels Among Them, and By the Ministering of Angels.

All three mysteries in the series are available in such physical bookstores as Deseret Book and Seagull Book, as well as online at Amazon, Deseret Book, and Seagull Book.

For more information about the author, check out her website as well as my previous  interview with her.

Originally posted 2015-04-20 06:00:11.

“Monday Mystery” – THE MYSTERIOUS DOLL (Amelia Moore Detective Series)

Here is the latest mystery in Linda Weaver Clarke’s series. Amelia Moore, the founder of the Moore Detective Agency, specializes in missing persons. Her cases have taken her to some very interesting places and put her in some dangerous situations, but she always solves the case. With the help of her partner, Rick Bonito, the business is flourishing and now she’s got another case:

Mysterious Doll web

Synopsis

Pauline Jones is confused why her boyfriend took off without telling a soul where he was going. But that isn’t all. Sam Whitaker is accused of stealing a valuable porcelain doll from the museum. His disappearance makes him look guilty, but Pauline is convinced he is innocent. When Amelia finds Sam, she realizes they need to prove his innocence. Where is the antique doll and who has taken it?

Excerpt

As she closed the drawer, a young woman walked through the door with red-rimmed eyes. It looked as if she had been crying, and Amelia could tell she was upset.

“You’ve just got to help me,” said Pauline as she pushed her thick dark hair out of her eyes. “Sam’s innocent. He didn’t do it.” With a look of despair, she softly said, “Sam didn’t steal that porcelain doll. He’s not a thief. He’s been framed.”

As Amelia sat down, she motioned to a chair in front of her desk. “Please have a seat, Miss Jones.”

Pauline walked to the chair and sat down. She then took a calming breath and said, “A porcelain doll was stolen from the museum.”

Amelia nodded. “I read about it in the paper.”

“Well, the very day it disappeared… so did Sam. The police think he took it.” She wrung her hands and said adamantly, “But it’s not true.”

“Tell me why you think he’s innocent,” said Amelia.

“Because I know him. He wouldn’t do such a thing. Not Sam. He’s too smart for that. Besides, why would he become a thief just before asking me to marry him?”

Amelia raised a curious brow. “How do you know he was going to propose?”

Pauline leaned forward and said, “It wasn’t hard to figure out. A woman can tell those kinds of things. Lately we’ve been talking about a more serious relationship. But that isn’t all. I accidentally found an engagement ring in his glove compartment. Of course, I didn’t tell him. I didn’t want to ruin the surprise.’

When Amelia laughed, a slight smile tugged at Pauline’s lips.

After a moment, Pauline became sober as she asked, “Miss Moore, will you please find him for me?”

Lindaforweb

Bio

Linda Weaver Clarke travels throughout the United States, teaching people to write their family history and autobiography. She has traveled to seventeen states and given over 450 workshops. Clarke is the author of several historical sweet romances, a mystery/adventure series, a children’s book, and a cozy mystery series. All her books are family friendly.

(If you want to know more about Linda, check out my earlier interview with her here.)

THE MYSTERIOUS DOLL can be purchased online from Amazon or Barnes & Noble. In fact, all her e-books are available at Smashwords.

Originally posted 2015-02-02 09:37:13.

“Monday Mystery” – 3 Romantic Suspense Novels, All for only $.99

TTT Too Deep 3-D cover

I try not to toot my own horn too much, but today my book, THE RECKONING, is available in ebook form in a box set, which also includes Christy Barritt’s HOME BEFORE DARK and Julie Coulter Bellon’s ALL FALL DOWN. Titled TOO DEEP, the set features suspense novels with a touch of romance. And the whole set is on sale beginning today for only 99 cents!

Here’s a peek at each story:

HOME BEFORE DARK by Christy Barritt

Home Before DarkSynopsis

Nothing good ever happens after dark. Those were the words country singer Daleigh McDermott’s father always repeated. Now her father is dead, and Daleigh fears she’s returned home too late to make things right. As she’s about to flee back to Nashville, she finds a hidden journal belonging to her father. His words hint that his death was no accident. Small town mechanic Ryan Shields is the only one who seems to believe that Daleigh may be on to something. Her father trusted the man, but Daleigh’s instant attraction to Ryan scares her. She knows her life and career, however dwindling it might be, are back in Nashville and that her time in the sleepy North Carolina town is only temporary. As Daleigh and Ryan work to unravel the mystery, it becomes obvious that someone wants them dead. They must rely on each other—and on God—if they hope to make it home before the darkness swallows them whole.

Christy Barritt

Bio

Christy Barritt is an author, freelance writer and speaker who lives in Virginia. She’s married to her Prince Charming, a man who thinks she’s hilarious–but only when she’s not trying to be. Christy’s a self-proclaimed klutz, an avid music lover who’s known for spontaneously bursting into song, and a road trip aficionado. She’s only won one contest in her life–and her prize was kissing a pig (okay, okay… actually she did win the Daphne du Maurier Award for Excellence in Suspense and Mystery for her book Suspicious Minds also). You can find out more about her work here.

ALL FALL DOWN by Julie Coulter Bellon

All Fall Down

Synopsis

Ring around the rosy, a pocket full of posies, ashes, ashes we all fall down… That simple rhyme turns negotiator Claire Michaels’ current hostage situation into an international incident. As the crisis escalates, Claire realizes she’s dealing with an al-Qaeda operative with the potential to attack America. Can she overcome her scars of the past in order to get the hostage out alive and possibly stop an assault on U.S. national security? Navy SEAL Rafe Kelly is on leave to recover from a knee injury he suffered during his tour in Afghanistan and he doesn’t expect to be fighting terrorists on his home turf. But when he is taken hostage and his brother is kidnapped, Rafe teams up with a hostage negotiator in order to stay alive and get his brother back. The situation quickly turns from desperate to deadly. Will Rafe be able to save himself and his country without anyone he loves getting caught in the crossfire?

Julie Coulter Bellon

Bio

Julie is married with eight children and ten published books. She loves to travel and her favorite cities she’s visited so far are probably Athens, Paris, Ottawa, and London. She would love to visit Hawaii, Australia, Ireland, and Scotland someday. She loves to read, write, teach, watch Castle, Hawaii Five-O, and eat Canadian chocolate. Not necessarily in that order. Her website can be found here.

THE RECKONING by Tanya Parker Mills

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Synopsis

Journalist Theresa Fuller has epilepsy, but this hasn’t slowed her search for stories of injustice to broadcast to the world. When she and her cameraman, Peter Cranston, are captured inside Iraq, she is cut off from her medication. Seizures resume, and dreams and visions of her American childhood in Baghdad begin to trouble her. Tormented by the relentless Colonel Badr, she is forced to focus on her own father’s death years before in a Baghdad prison. The strain of her own captivity is relieved only by her growing attraction to Tariq al-Awali, the Iraqi captain who took charge of her capture. The more she learns of him and his family, the clearer her haunting dreams become, and the more puzzling her past. Before American bombs begin to fall, and all of Iraq is thrown into even darker chaos, Theresa must find a way to escape the cruelty of Colonel Badr, and save those she cares for most.

(I don’t think you need my author photo and bio here. It would be redundant. But do check out my book trailer in the side menu. :D)

If you can spare a dollar for three great, exciting reads, here’s the link to order the set on Kindle. It would also be a terrific Christmas gift for your friends who are into suspense. If you wait too long, the price will go up.

Originally posted 2014-11-10 10:49:07.

FISHING 101: Choosing the Right Bait to Hook Your Reader

I know, I know. I was going to write, publish, and record in October . . . and I haven’t. You see, I’ve been absent from my website for several weeks due to an injury that required surgery and recovery time, but hopefully I’m back now. During that period I had to cancel one appearance at the ANWA Northwest Writer’s Retreat, but I managed to hobble my way around in a boot (and on a knee scooter) for my presentation at the recent Kanab Writer’s Conference.

IMG_2965

It was titled “Fishing 101: Choosing the Right Bait to Hook Your Reader,” and, as promised to those in attendance, I’m posting the main points of my presentation here:

I’d heard a great presentation by Tess Hilmo at this year’s LDStorymakers Conference in April about what agents and editors are looking for in the beginnings of manuscripts. She based it on what she learned from two of her editors. According to them, within the first 50 pages of your fictional work, you should:

line

1. DRAW A LINE IN THE SAND

This means you make an assertion about your main character that the reader knows will be overturned in the end. In Tale of Desperaux, the mouse is told he is nothing, but the reader knows he will be a lot more. In Harry Potter and the Sorcerer’s Stone Harry is nothing, an orphan . . . but the reader knows he’s special because of the scar. In other words, you’ve got to make the protagonist believe he/she is not special and then use the story to prove otherwise. It makes for a strong character arc.

 

fold in

2. FOLD, DON’T DUMP IN CHARACTERS AND INFORMATION

All important characters should be introduced in a gradual, natural way by page 50, not page 5, with backstory being dribbled in, a bit at a time. This allows your readers to be both smart and patient. And your story doesn’t get bogged down in backstory.

 

ticking clock

3. INTRODUCE A TICKING CLOCK IN THE FIRST TWO CHAPTERS

It can be either time-related or situational. If it’s time-related, this means your protagonist only has a set time to accomplish something. Think of The Hunger Games, for example. A ticking clock builds suspense and tension and drives the reader to keep turning the pages. If it’s situational, this means an approaching event, such as a flood, threatens to cut short the protagonist’s time as in Three Rivers Rising.

 

man with obstacle

4. PLAGUE YOUR PROTAGONIST WITH DISCOMFORTS AND OBSTACLES

These can be both outer and inner challenges. It’s very effective to make the menacing seem ordinary at first. Professor Quirrel was an apparently harmless teacher in the first Harry Potter book, while Snape was shaped to look like the real villain until things turned at the end of the book. You’ll want to insert compelling details that, upon hindsight at the end, take on a more menacing light.

 

threads

5. PULL YOUR STORY THREADS THROUGH THE ENTIRE BOOK

Every so often, something seeded early needs to be touched on again (whether it’s a character’s idiosyncrasies or habits or whatever) just enough to make it consistent without being annoying. No more than 4-5 times throughout the whole story, perhaps once every 30-50 pages or so. Pull them gently, thoroughly, and seamlessly so they don’t stand out but feel like a natural part of the story.

 

internal focus

6. RELY ON INTERNAL FOCUS, OR VOICE, RATHER THAN EXTERNAL EXPERIENCE

Bring the story to life with specific details and tap into your inner feelings to produce an authentic voice for your character. Remember that your voice is your soul and readers want to connect with that, so you have to be willing to be vulnerable.

 

pie in quarters

7. FOLLOW THE RULE OF QUARTERS

Use the first quarter of your novel to set up characters, implant the setting in the reader’s mind, draw your line in the sand, and add a ticking clock. You should have something exciting, compelling, or heart-wrenching in each of the second and third quarters to build or maintain momentum and engagement. Use the last quarter to wrap up details, pull final threads through, and end the story.

Every quarter needs something real, something remembered and something imagined. The “real” refers to what’s happening in your story. The “remembered” refers to backstory (which should be no more than 5% of the quarter) or characters remembering their inadequacies. The “imagined” refers to thinking ahead . . . the protagonist imagining a better future (and, again, this should comprise no more than 5% of the quarter).

 Hooked

I then shared some tips from Les Edgerton’s excellent book, HOOKED.

According to Edgerton, you should include most, if not all, of the following in your opening scene:

  • Inciting incident
  • Story-worthy problem
  • Initial surface problem
  • Necessary setup and backstory
  • Stellar opening sentence
  • Powerful language
  • Introduction on protagonist
  • Setting
  • Foreshadowing

Don’t start out with a dream, an alarm clock buzzing, unintentional humor, too little dialogue, or all dialogue. He also advises against prologues unless it’s a crucial brief scene setting up the story or it’s for a book in an already established series. Remember, short is best. As he put it, “First chapters should end powerfully, leaving the character worse off than when the chapter began.” The powerful ending is important because you don’t want to leave the reader wondering, like Peggy Lee, “Is that all there is?”

I also shared some terrific quotes from agents and editors as to what they look for in the first few pages of a manuscript, but you’re going to have to buy your own copy of HOOKED to get those, as well as further details about his “must haves” for an opening scene.

Anyway, I’ll be posting more about baiting your readers in the future. Hope this helps!

As for my writing, publishing, and recording . . . one out of three ain’t bad, eh? Beginning November 9th, my story THE RECKONING will be available in ebook form along with two other great novels by two other authors, all for only $.99! I’ll post more about it in a few days.

Once I finish mailing out all my daughter’s wedding announcements, I’ll get back on track with my writing too. I’m afraid the recording will have to wait until January once the wedding is past.

Originally posted 2014-11-01 15:26:40.