“Wednesday Writer” – Daron Fraley

Daron has so many interests that it’s hard to know where to begin. While he says his favorite things are teaching and writing (besides his family), he also loves computers, cooking, fishing, camping, music, art, the sciences, and especially religion.

However, I must say that the most impressive thing I read in his bio was that he once fixed a gas clothes dryer using photocopier parts! Talk about a handy, “Renaissance Man.” Let’s delve a bit deeper into this Wyoming-born writer.

Daron Fraley author

ME:  You say you don’t consider yourself a cowboy even though you grew up in Wyoming. Why not? What is a cowboy, anyway, and how are you not that kind of person? (Must have a picture of you as a small boy, with or without cowboy gear.)

DARON:  I’ve known some great cowboys in my time. And most of them are admirable people… good hard-working people. Some of my following descriptions are stereotypes, but true stereotypes nonetheless from my experience growing up in Wyoming.

Cowboys may have:

Boots. Sometimes plain leather work boots, and sometimes the fancy ones made of alligator skin or snake-skin.

A farmer’s tan.

A piece of straw in their teeth that they continually chew on.

A worn-out ring in their back pocket from carrying a can of snuff or chew.

Country music blaring in the cab of their rusted out pickup truck that’s been dented from hitting fence posts and farm equipment.

A bow-legged swagger from spending too many hours herding.

I’ve got none of that. Therefore, I’m not a true cowboy.

Daron_as_a_little_boy(And here’s the little boy picture to prove it. No trace of boots or snuff. Not even a tan.)

ME:  Okay, I’ll buy that. So which came first for you–writing, cooking, or computers? And how old were you when you tried your hand at each? (I’d really like a picture of you engaged in each of these activities…please.)

DARON:  Writing and cooking and computers happened at about the same time. I had my first computer programming class in high school, at the same time that I had creative writing. I discovered that I loved to write. I entered a contest at a community college young authors day, and took 2nd place in my genre. Every summer I worked at the Irma Hotel, there in Cody, Wyoming. First year as a bus-boy, second and third washing dishes, and then I spent my Senior year, spring and summer months as a line-cook. I really enjoyed that!

(You mentioned that you wanted pictures of me writing, cooking, or working on computers. How about one of me fishing! In my hat! In the Henry’s Fork wilderness area below Kings Peak?)

(That will do nicely.)

Daron_fishing

(Hmm…kind of has that cowboy tan, doesn’t he? Too bad we can’t see his back pocket.)

ME:  Did your two years as a missionary in France do more for your writing or your cooking, and how? (I’d love a picture from your mission.)

DARON:  I didn’t do much writing as a missionary. But my fellow Elders loved the fact that I could cook. :D (I’ll bet!)

Daron_missionary(Il était beau, n’est ce pas?)

ME:  Okay, I hate to keep harping about cowboys, but it seems to me that they’re simply rugged independent loner types, and doesn’t that fit with you since you’re taking the independent route to publishing?

DARON:  Sure. You can call me a cowboy author if you want. Not the kind that writes cowboy stories or poetry, but the kind that goes out and does his own thing out of pure stubbornness.

(Ornery, ain’t he?)

ME:  Let’s talk about LDS Indie Authors, a group you had a hand in getting going. What is its purpose and why is it needed? (Full disclosure: I’m a kind of lurking member, afraid to chime in because of my relative inexperience, but grateful for all the tips.)

DARON:  Authors have been excited about all the great opportunities available to them through the many venues of self-publishing for quite a few years now. I’m a member of LDStorymakers, and I started a discussion one day about how best to serve those who would choose to self-publish. The focus of Storymakers as an authors guild has been to assist writers on their path to publication with either publishing agents or directly with the editors of publishing houses, and then help them with all things pertaining to traditional publishing, including understanding contracts.

As a group, they felt there are enough differences between the publishing methods that a new group would better serve the need of self-publishing authors. Rachel Nunes was part of that discussion, and so when Liz Adair suggested we just do a new group, Rachel took the bull by the horns (note the cowboy motif) (Atta boy!), and started the list. I joined right away.

Why is it needed? Self-publishing is here to stay. And having been published both traditionally, and by self-publishing, I can attest to the fact that in many ways the processes are very different.

Authors want to produce a quality product. If you don’t have a publishing house with content editors, line editors, typesetters, cover designers, marketing professionals, etc., then you have to do all of that work on your own… preferably by acting more as a general contractor, and hiring experienced free-lancers to help you in the areas where you either don’t have the skills, or where it wouldn’t be wise to do it on your own. EVERYBODY needs an editor.

(AMEN! My dad didn’t believe it and asked me to do a post-publication edit of his latest self-published book. After he saw all the marks in the first five chapters, he saw the light.)

LDS Indie Authors provides a forum for authors to help each other to produce the best self-published product possible.

(And it’s well worth it!)

ME:  What changes do you think the Publishing Industry will go through in the next five years?

DARON:  Traditional publishing will probably shrink and consolidate, but it won’t disappear. They will start to offer other ways to publish with them… in fact, some already have made that change. And it’s looking like self-publishing is the new slush-pile. Great stories that make a splash with readers are getting noticed by traditional publishing houses. I look for that trend to increase.

Other than that, I really wish that ebook formats would become more standardized. It would be great if we could produce just one format and have every ebook reader be able to use it. But it probably won’t happen. Besides, a little competition between device manufacturers is a good thing. It keeps them at the top of their game.

ME:  What led you to become an author and why do you write religious science fiction and fantasy? What are you working on now?

DARON:  I felt driven to write. I don’t know how else to explain it. And as far as why I write religious speculative fiction… it’s because I want to write stories that have the ability to inspire. Many genres can do that, but I have the flexibility to talk about God and miracles if I wish.

To be very frank, I believe the stories in the scriptures. Even the fantastic stories from the Old Testament. I believe they really happened. I believe we live in a day when we will see those kinds of miracles again. I hope my stories will help readers to see that the scriptures are full of truth.

(Uh-oh…He forgot to tell us what he’s working on now. Or maybe it’s a secret.)

ME:  Tell us about your writing space (and please provide a picture) in the voice of Pekah from your first book, THE THORN: Book 1 of The Chronicles of Gan.

Thorn_front-cover_medium-200x300DARON: (as Pekah)

My desk is simple, and far too cluttered for my tastes. But I have other pressing matters to attend to, so the cleaning will have to wait for another day. I do have a second sheet of… I will call it light-paper… that is similar to my glow-stone, except that it has words written upon it. Like the light-paper which allows me to write my stories, the second larger one permits me to research the histories of ancient peoples so that I might use their legends to bring my tales to life. Course’ I also got me some Jack Link’s Beef Jerky right handy, in case I get a hungered. (Sorry… Cowboy Joe slipped in there.)

(LOVE IT!)

Daron_workdesk

(Ah, the light-paper…in two sizes! I spy the jerky, too.)

ME:  Tell us about your writing journey so far and what it’s taught you about the world and about yourself.

DARON:  My writing journey has been hard at times. My first publishing experience was not a very pleasant one. But I made some great friends, and gained some ardent supporters. They kept me going when I wanted to throw in the towel. That experience was invaluable in showing me the ropes of what editing, typesetting, design, printing, distribution, marketing, etc. was all about.

Over the past several years I have come to realize that the world needs books. Stories are powerful. They change lives. They educate. They cause people to have hope, to have their own dreams, and to work hard for things they believe in. I have also discovered that the scriptures are stories. Beautiful stories of how a loving God interacts with his children. Stories of people overcoming huge obstacles and finding happiness in this life.

I want my story to be like that. I hope the same for everyone.

One last thing… I included a bonus picture. And I’m not telling you what this is… You’ll have to read THIRTY-SIX. :D

(The mark of a true independent writer…always marketing! I’ve got your book, Daron, and promise to read it after I’m done with prior commitments. After all, I need to understand all the pictures I post here.)

Thirty-Six_bonus_picture(Curious bonus picture…click on pic for larger view.)

Okay, now that he’s hooked us all, you might want to check out Daron’s official website, or, better yet, his Thirty-Six website for more information on the series. Here’s a quick synopsis of the story in book 1:

When Aaron Cohen buys a souvenir from an antiques store in Lyon, France, and then sees the police raid the store right after he leaves, he has no idea that this is only the beginning of his troubles.

Back home in Chicago, Aaron is stalked by an old man from the antiques store. Mandie, a single mother in his apartment complex, has asked that they just be friends, but Aaron can’t help developing strong feelings for her, especially now that she is being harassed by her abusive ex-husband. And in the midst of all his emotional turmoil, the souvenir he purchased turns out to be an ancient holy relic that triggers shared dreams and prophetic visions.

A mysterious dream shared with a jewel smuggler whose arrest makes the nightly news. A nightmare of horrifying tornadoes shared with Ethan, Mandie’s eight-year-old son. A dream shared with Mandie that shows Aaron her true feelings for him.

And visions . . .

Visions of historical events, centuries in the past. Visions of the Lamed Vovniks. Visions of dangerous possibilities to come.

And if Aaron doesn’t get to her in time, Mandie will die.

Intriguing, eh?

Come back next week for my interview with C. Michelle Jefferies!

C Michelle Jefferies author pic2

Publishing’s Paradigm Shift – Effect on Authors

With all of this movement toward e-books, what can authors expect in the near future? Some of the coming changes may include the following:

•Funding for authors’ advances may begin to be provided by external investors (as they are with films and plays)

•Best-selling authors, who already have a name brand, may turn to self-publishing for higher royalties, making more room for midlist and debut authors

•Until then, the bar is higher and authors may want to consider self-publishing

•Some authors are already serializing their books online to build readership

•Publishers can’t hold on to rights indefinitely by making books available as POD or e-books, according to recent rulings (when such a book is out of print, rights will revert to author)

Average advances today are between $1,000 and $5,000 for debut literary fiction as opposed to the $50-100,000 advances of the past. For commercial fiction: $15,000 or less. And publishing houses are beginning to shrink their lists, so it’s becoming more and more difficult to get picked up as a debut author.

One option is to take your chances with self-publishing and try to find ways to grow your own fan base. One unpublished author is serializing his new book, chapter by chapter on his website where, over the next ten weeks, it will build like a part-work. In the words of a friend, he’s “doing a Dickens.” And he’s making it available for free, betting that many readers won’t want to wait and will go ahead and download the entire book for less than the cost of a paperback. After that, it will go to Amazon, with an iPod version later. A second, already published, author, John Gorman, is serializing his new thriller to a WordPress site. On the site, his Mission Statement encourages people to contribute to the story. He won’t publish their words, but he might run with their character ideas and plot twists, so there’s a collective element to this novel.

For those who decide to self-publish, Publishers Weekly now puts out a quarterly supplement, called PW Select, that announces self-published titles for $149 and reviews for free those they feel are most deserving of a critical assessment. For more information, check www.publishersweekly.com/diy.

Personally, I went the self-publishing route for my first book and it’s seen very few sales, despite the awards, simply because it’s not out there enough. I won’t go that route again. I’d rather hone my craft and keep writing and querying until I get an agent. An agent will lead me to a publisher who can get my name out there. I’m hoping that a lot of these top authors who no longer need a big publisher will go the self-publishing route, thereby making room on publishers’ lists for more midlist and debut authors.

In my next posting on this topic, I’ll share the thoughts and experiences of some of those who have.

Publishing’s Paradigm Shift – Effects on Publishers

Perhaps most anxious about all the brouhaha over e-books have been the publishers. Traditional publishers are worried, perhaps even afraid of all the change, while self-publishing companies (including POD, or print on demand companies) have visions of greater revenues. In any case, I see the main effects as follows:

  • The more adaptable traditional publishers will survive and even thrive after a few bumps in the road
  • There will be more specialized publishers aimed at niches
  • There will be more and more self-publishing
  • Cost of entry for future publishers will be minimal
  • Among the big publishing houses, there will be a devolution from complex, centralized management to semi-autonomous editorial units
  • 50% digital royalty rate may be inevitable
  • Despite all the change, the greatest value of traditional publishing will remain–the editorial process–ensuring their survival

In the latest self-publishing development, Barnes & Noble has now launched their own digital self-publishing platform called PubIt to compete with Amazon’s Create Space. (They’re also coming out with a color Nook to try and take down Amazon’s Kindle and compete more evenly with the iPad.)

As an example of the devolution that is beginning in traditional publishing, in early 2011 Simon & Schuster will reorganize into “small teams of editors, publicists, and marketing specialists.”

According to their new head, Jonathan Karp, each team, comprised of 2 editors, 2 publicists, and a marketing specialist, “will propose, develop, and execute their own publicity and marketing plans, from the moment of acquisition through paperback publication…”

“The chief objective is to create the publishing environment most conducive to focused concentration on our authors,” he continued. “Those who are present at the creation are more likely to bring a greater depth of understanding and experience to the publication of these books. Our authors will benefit from having a dedicated team working on their behalf early in the process.”

Such a development can only be good for writers, who, at times, have had to kowtow to unknowns in the large marketing or sales departments in order to get their books even approved, however lauded their work may be by the editors.

These were the main effects I could forecast from all I’ve read. If you foresee any others, please comment.

My next post will deal with the effects on agents.

One Last Bit About the Retreat

For those of you who are still not sure it’s worth your while or money to head up to the far northwest corner of Washington for a two-day writing retreat, here’s a list of all the classes and presentations packed in to those two days:

Thursday Evening:

“Joy in the Journey: The Road to Publication (Or Overcoming the Agony of Rejection)” by Janette Rallison

Friday:

“First Movies, Then Records, Now Books: Publishing’s Paradigm Shift and What It Means for Writers” by yours truly

“Finding Your Inner Matroyshka: The Six Stages of a Writer” by Liz Adair

“Cutting Off Your Baby’s Toes: Tips on Self-Editing” by Linda P. Adams

“Query Letters–Your Next Big Challenge” by Terry Deighton

“If I Can Do It, So Can You: My Experience in Self-Publishing” by Victoria Boothe

“The View From the Checkout Stand, A Bookstore Owner’s POV” by Chrisy Cope

“Ho-hum to Hilarious, How to Put Humor Into Your Writing” by Jane Still

“The Why and How of Blogging” by Monique Leutkemeyer

“Noah’s Story Arc: Building a Watertight Plot” by Christine Thackeray

“Fabulous Free Verse: Unleash Your Poetic Self” by Lara Niedermeyer

“Writing in Spite of Family and the Universe: Organize Yourself to Write” by Kersten Campbell

“See It/Hear It: Writing Believable Dialogue” by yours truly

“Careening Down the Road to Publication: What I’ve Learned on My Journey” by Ann Acton

“Screenwriting 101: Basics for Beginners” by Christine Thackeray

“How Can We Serve? Devising Literacy Programs for Presentation to Local Relief Societies” by Liz Adair

“How to Relive High School Forever: Writing for the YA Audience” by Janette Rallison

Saturday AM:

“Escaping From the Slush Pile” by Janette Rallison

Now, obviously, everyone couldn’t attend every class, so you had to pick and choose…but there was definitely something for everyone. And I haven’t even mentioned Terry’s Grammar Quickies, the terrific Get Acquainted activities by Marylou Bailey, the morning and evening yoga stretches led by Lara Nedermeyer, the singing led by Bonnie Harris (who’s due to give birth in about a week, by the way), the Critique Group led by Wendy Jones (who also took the awesome group photo below), the plotting and writing exercises, and the concluding meeting where we got to share how we felt about the whole experience.

It really was like Girls Camp…only for writers! Think about coming next year.

Our Uphill Battle as Writers, Part One

Jane Friedman

Jane Friedman of Writer’s Digest (and former President and CEO of HarperCollins) passed on a somewhat horrifying statistic bandied about at BEA this week:

“7% of books published generate 87% of book sales. And 93% of all published books sell less than 1,000 copies each.”

Now the encouraging part is that those statistics were quoted during a panel discussion on DIY (Do It Yourself) publishing and how it’s changing the publishing world. Here’s the complete article from Publishers Weekly. If you’re

J.A. Konrath

feeling hopeless about ever getting your book published and into the hands of readers, I encourage you to read the whole article. Apparently, there is life after self-publishing. What kind of life is still up for debate. If you’re an established author like J.A. Konrath, it sounds like the life can be pretty good.

Here’s my quandary: I went ahead and self-published my first novel. Many traditionalists in the publishing industry will say I’ve pretty much shot myself in the foot…I’m branded forever. Any agent reading my query letter for my next novel will note my first book, look it up, and see it didn’t sell anywhere near 10,000 copies and pretty much assume that I don’t have what it takes. (Unfair, I know, but all they need is one little excuse to throw my query away.) So…do I try to publish traditionally under a different name (and does that even work?), or do I continue the self-publishing route? After all, if I can gradually build my own audience, who needs the elite publishing houses of NYC?

But then that statistic smacks me in the face again. Obviously, that 7% is represented by those very houses.

So, on the one hand, we’ve got authors like Konrath paving a DIY way for the vast majority of us writers…and, on the other, we’ve got the likes of Garrison Keillor bemoaning the fact that “book publishing is about to slide into the sea” with self-publishing because “when everyone’s a writer, no one is” in a column in yesterday’s Baltimore Sun.

Here is what he said in part:

We live in a literate time, and our children are writing up a storm, often combining letters and numerals (U R 2 1derful), blogging like crazy, reading for hours off their little screens, surfing around from Henry James to Jesse James to the epistle of James to pajamas to Obama to Alabama to Alanon to non-sequiturs, sequins, penguins, penal institutions, and it’s all free, and you read freely, you’re not committed to anything the way you are when you shell out $30 for a book, you’re like a hummingbird in an endless meadow of flowers.

And if you want to write, you just write and publish yourself. No need to ask permission, just open a website. And if you want to write a book, you just write it, send it to Lulu.com or BookSurge at Amazon or Pubit or ExLibris and you’ve got yourself an e-book. No problem. And that is the future of publishing: 18 million authors in America, each with an average of 14 readers, eight of whom are blood relatives. Average annual earnings: $1.75.

Back in the day, we became writers through the laying on of hands. Some teacher who we worshipped touched our shoulder, and this benediction saw us through a hundred defeats. And then an editor smiled on us and wrote us a check, and our babies got shoes. But in the New Era, writers will be self-anointed. No passing of the torch. Just sit down and write the book. And the New York Times, the great brand name of publishing, whose imprimatur you covet for your book (‘brilliantly lyrical, edgy, suffused with light’ – NY Times) will vanish (Poof!). And editors will vanish.

The upside of self-publishing is that you can write whatever you wish, utter freedom, and that also is the downside. You can write whatever you wish, and everyone in the world can exercise their right to read the first three sentences and delete the rest.

Ouch!

I’d like to think that the stories I write are worth more than the first three sentences. But he does have a point. There are so many more novels being written today, so many more queries being sent out today. The odds of getting picked up by an agent, not to mention a big publishing house, have grown so long that it really does come down to a matter of luck and timing…and that’s only AFTER you’ve written something truly worthy.

I wish I’d started up this path 30 years ago, but I didn’t. Am I going to give up? No way. My knees may be weak, but I’ve got strong fingers. Besides, the higher the mountain, the greater the achievement.