“Moleskine Mondays” – “I” is for “iPad App” (Penultimate)

Present word count of WIP:  59,347

A peek at a few of my apps

I have several iPad apps that help in my writing, but the one I love best is Penultimate.

That one there in the middle

First, any time you want to start a new project, you simply add a new notebook and dive in. For example, here’s my notebook for my current WIP, “School of Guardians”:

If I tap on it, it will open to the page I was working on last, but you can also get a menu type view of all the pages:

If I’m working on a particular scene, such as the Luncheon scene with the parents before the Memorial Service, and need to keep in mind where each character is at the table, I can quickly sketch it out:

Or if you’re dealing with a fantastic kind of setting and it helps you to sketch it out on paper (or tablet in this case) until you get it to match the image in your mind, it’s easy to do with this app (and you can erase to your heart’s content without wasting paper):

You can even fool around with possible cover ideas for your novels, and while none of these images show it, you can write or draw in different colors (as you’ll see from their website). My publisher is preparing a cover for A Night on Moon Hill as I’m posting this, but I sent along a couple of suggestions, based partly on this sketch:

As you can see, I’m no artist but I can still visualize some concepts in basic form. What about you? Do you ever try to draw mockups of possible covers? Have you had any experience with this particular app, good or bad? I’d love to hear about it.

Originally posted 2012-08-06 15:21:14.

“Moleskine Mondays” – “E” is for E-reading

Present word count of WIP:  56,585 (Yes, I’ve cut and revised some)

I love my Kindle. I love my iPhone and iPad with iBooks and the Kindle app (as well as a few other e-reading apps like Stanza, DB Bookshelf, etc.) I have a brand new Nook all set to give away as the grand prize at my book launch next month (date still to be announced). So I’m definitely a fan of e-reading.

I’ve gained a lot ever since I began accruing digital books:

1) I’ve gained a LOT of books because it’s so easy and quick, not to mention cheaper.

2) I’ve gained space because I’ve been able to downsize my physical library (though I still feel a bit sad when I see the new roominess on the shelves downstairs…more about that in another post).

3) I do a lot more reading because I take my iPhone or Kindle everywhere and if I find myself waiting in line or something, I can pull out my book.

But what have I lost in the process of switching to e-reading?

Two things:

1) The physical delights of turning pages, smelling the paper, and the grounded feeling of knowing exactly how far into the book I am and how far I have yet to read. (I have been reminded of those delights lately since I’m having to borrow many books from the library to get through my “Thriller Thursdays” list.)

2) Privacy.

My whole family has access to my Kindle library since each of them has a different kind of device (though Allison can’t access hers for the next year and a half), but it’s not them I’m worried about.

It’s the e-readers themselves.

As pointed out in this article by Richard Lea in The Guardian, published July 5th, they’re spying on us. Really.

I don’t know about you, but somehow I’d prefer to be the only one doing the “reading.”

What do you think about your e-reader device gathering intel on your interests as you read? Are you going to think twice the next time you’re tempted to highlight a passage? Or is this one more freedom you’re willing to let slip through your fingers in exchange for market convenience?

Perhaps I should divert from NPR’s “Thriller” list this next week and, instead of reading James Patterson’s Kiss the Girls, pull a book from their Science Fiction/Fantasy list…

Say, George Orwell’s 1984. From the library, of course.

Originally posted 2012-07-16 14:12:40.

Publishing’s Paradigm Shift – Effects on Publishers

Perhaps most anxious about all the brouhaha over e-books have been the publishers. Traditional publishers are worried, perhaps even afraid of all the change, while self-publishing companies (including POD, or print on demand companies) have visions of greater revenues. In any case, I see the main effects as follows:

  • The more adaptable traditional publishers will survive and even thrive after a few bumps in the road
  • There will be more specialized publishers aimed at niches
  • There will be more and more self-publishing
  • Cost of entry for future publishers will be minimal
  • Among the big publishing houses, there will be a devolution from complex, centralized management to semi-autonomous editorial units
  • 50% digital royalty rate may be inevitable
  • Despite all the change, the greatest value of traditional publishing will remain–the editorial process–ensuring their survival

In the latest self-publishing development, Barnes & Noble has now launched their own digital self-publishing platform called PubIt to compete with Amazon’s Create Space. (They’re also coming out with a color Nook to try and take down Amazon’s Kindle and compete more evenly with the iPad.)

As an example of the devolution that is beginning in traditional publishing, in early 2011 Simon & Schuster will reorganize into “small teams of editors, publicists, and marketing specialists.”

According to their new head, Jonathan Karp, each team, comprised of 2 editors, 2 publicists, and a marketing specialist, “will propose, develop, and execute their own publicity and marketing plans, from the moment of acquisition through paperback publication…”

“The chief objective is to create the publishing environment most conducive to focused concentration on our authors,” he continued. “Those who are present at the creation are more likely to bring a greater depth of understanding and experience to the publication of these books. Our authors will benefit from having a dedicated team working on their behalf early in the process.”

Such a development can only be good for writers, who, at times, have had to kowtow to unknowns in the large marketing or sales departments in order to get their books even approved, however lauded their work may be by the editors.

These were the main effects I could forecast from all I’ve read. If you foresee any others, please comment.

My next post will deal with the effects on agents.

Originally posted 2010-10-25 14:01:50.

Publishing’s Paradigm Shift – e-Books and e-Readers

Electronic readers, or eReaders, have been around for a while. I remember visiting a good friend six or seven years ago, whose husband was an avid fan. He pulled out two or three different kinds to show me. While I wasn’t that impressed at the time, he wisely predicted the day would soon come that the right platform and right device would eventually come along and tear down the wall that major publishing houses had built around themselves and all their readers.

Enter Amazon (the most popular platform of choice at present) and the Kindle. Soon after the Kindle, we got Barnes & Noble’s Nook, the Sony eReader, and then Apple’s iPad. Here are some statistics I shared at the retreat:

  • There are currently 49 different E-reading devices, including:
  1. –Kindle (Amazon)
  2. –iPad (Apple)
  3. –Nook (Barnes & Noble)
  4. –Kobo (Kobo Books)
  5. –Sony Reader (Sony)
  6. –? (Google)
  • Retailers will sell 6.6 million e-readers this year (3 million iPads have already been sold)
  • By year’s end, 20% of households will have an e-reader.

I put a question mark at #6 above, because a lot of rumors are flying around about Google coming out soon with its own device to hook up with its platform, Google Editions. A recent LA Times article by Carolyn Kellogg played up this point:

“…Google announced it would move forward with its e-bookstore Google Editions, filling it with books whose rights were not under dispute…As if Google Editions weren’t enough, Google has another big question mark looming this season: Will it launch an e-reader? It is well positioned to rival Amazon.com and Apple as a major purveyor of e-books—and if it follows their leads, it will pair content with device and launch its own e-reader. The most recent rumors say that Google will launch a tablet manufactured either by HTC or Motorola, based on either Chrome or Android. Everyone seems to agree that Verizon is the likely wireless partner.” (Carolyn Kellogg, “Fall Preview: Publishing,” LA Times, Sept. 12, 2010)

My friend’s husband was right. Now that we’re coming out with the right platforms and devices, electronic books are here to stay.

At first, regular readers weren’t so sure. The Kindle was priced kind of high when it first came out, but as others joined in the competition, prices began to drop. Here are some more statistics I shared about eReaders:

  • 10 average priced e-books will offset $139 cost of Kindle
  • 12 average priced e-books will offset $149 cost of Nook
  • 39 average priced e-books will offset $499 cost of iPad (which is a good bit more than just an e-reader)
  • $99 can buy you the 5-inch Libre at Borders

Do you have an e-reader? I do, through my iPhone (which has a Kindle app). And we’re not alone. It’s estimated that, by the end of this year, 10.3 million U.S. homes will have an e-reader, according to Forrester Research. Not only that, but book sales are increasing because e-reader owners buy more books. E-reader owners buy an average of 15 e-books per year (and two thirds of e-readers already owned are Kindles). According to a recently released Harris poll, those who have e-Readers do, in fact, read more.

Here’s how it breaks down: Forty percent of Americans read 11+ books a year. Of those, only nineteen percent read 21+ books a year. But among those with e-Readers, 56% read 11-20 books a year with 26% reading over 21 books a year. E-reader users are also more likely to buy books (good news for us authors). And 53% of those with e-Readers say they read more now than they did six months ago. (I know I do.)

So, how are e-books doing over all?

Sales of e-books are up 200% from last year, but still only represent 3-5% of total sales for publishers (I think this statistic has probably changed over the last month). Mike Shatzkin, a publishing consultant, estimates e-books could be 20% to 25% of total unit sales by the end of 2012. Carolyn Reidy, the chief executive of Simon & Schuster, said in an interview that e-books currently made up about 8% of the company’s book revenue. She predicted that it could be as high as 40% within three to five years. Others are predicting it could go even higher–50%–by 2013.

Are e-books a good thing for us, as authors? Definitely. I tend to agree with literary agent Alexandra Machinist:

“At the moment, anything that gets readers to buy more books is a good deal for writers. I’m of the opinion that e-books provide a vast landscape of impulse purchasing and middle-of-the-night, next-in-series buys that don’t exist with traditional paper books.”

Can we make money by making our books available electronically? Definitely, but the amount we make depends on how big our audience, or platform, is.

The late Swedish writer Stieg Larsson was the first writer to sell more than 1 million Kindle books. But his books kind of caught fire and he developed a huge fan base quickly.

Can your e-book outsell your traditionally published book? Yes, given the right buzz.

In its first five days, Laura Lippman’s thriller, “I’d Know You Anywhere,” sold 4,739 e-books and 4,000 physical hardcovers. “This is the first book of ours of any consequence that has sold more e-books than hardcovers in the first week,” said Frank Albanese, a senior vice president at HarperCollins. “What we’re seeing now is that if a book gets a good review, it gets a faster lift on the digital side than it does on the physical side because people who have e-readers can buy and read it immediately.”

Every serious writer today should definitely become familiar with digital publishing. We can’t afford not to.

In my next posting, I’ll be talking about the effects of this shift on Publishers.

Originally posted 2010-10-22 11:36:13.