Tag Archives: historical fiction

“Wednesday Writer” – Amanda Sowards

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Amanda Sowards, who writes under the moniker A.L. Sowards, is developing a niche for herself–World War II espionage thrillers. Although she hasn’t been at it for very long, she’s already receiving recognition. Her debut novel, ESPIONAGE, was a 2012 Whitney Finalist, and I wouldn’t be surprised if her follow-up, SWORN ENEMY, is similarly lauded.

Amanda SowardsME:  How old were you when your family moved to Moses Lake, Washington, and what was it like growing up there? (I’d love a picture of you as a child there.)

AMANDA:  I was two when we moved there. Moses Lake has grown, and it seems massive when I compare it to Manassa, Colorado (where my husband grew up), but while I was living there it just seemed like a typical small town surrounded by lots of farms. Sometimes we called it Moses Hole instead of Moses Lake, but you can only get away with that if you’ve actually lived there. Despite our less-than-flattering nicknames for it, most of us had significant hometown pride.

1987(Love the glasses!)

ME:  Which came first for you . . . swimming or writing? Please describe your introduction to each, plus the main storyline of your first story.

AMANDA:  Probably swimming, if you count swim lessons. My aunt gave me my first swim lesson when I was about three months old. (Wow! You were practically born to the water.) Then I took swim lessons for a few years and started swimming competitively the summer after first grade. Back in those days, my life’s ambition was to be a lifeguard. My goals have changed a lot since then, but I did work a summer as a lifeguard, knowing it was just a summer job and not something I wanted to make a career out of.

My dad was asked to visit a new couple in our church congregation and he encouraged my mom to visit them too. My mom had four kids under the age of nine (two more would come later), so the last thing she wanted to do was add something to her to-do list. (I can well imagine!) But she went, and the wife was going to coach on the swim team that year, so my mom signed me up. The next year my older sister joined, then the year after that my younger sister started swim team. All six of us ended up swimming with our local swim team and our high school team. Four of us swam for BYU with at least partial scholarships.

(A family legacy, eh? I imagine you’ve already got your twin toddlers signed up for swimming to carry on the tradition.)

1996(Amanda, left, with her siblings . . . the youngest is now at the MTC)

I think my first book was about two friends who were riding bicycles. It wasn’t very long. I may have illustrated it with crayons.

(I think we can tell which activity was at the forefront in your early years. :D)

ME:  However did you manage to attend a writer’s conference as a third grader?

AMANDA:  It was a young writer’s conference, designed for elementary school children. It must have been an annual thing because I remember going in 5th and 6th grade too, and never having enough money for the bookstore.

ME:  I, too, developed a love for all things World War II in high school. Tell us about your History and English teachers and how they affected you.

AMANDA:  I’ve been blessed with great teachers. Most of my elementary school teachers encouraged a love for reading, and I’m grateful for that. In sixth grade, several of the teachers (including mine, Mrs. Mabry) did an entire unit on WWII. (How cool!) One teacher gave us history lectures and assigned reports, another taught reading with WWII novels, and the third did a science section on acid rain—kind of a stretch, but it supposedly tied in with WWII because all the bombing created pollution which led to acid rain? I guess we were too young to study nuclear physics and the Manhattan Project.

My favorite history teachers were Mr. Paul and Mr. Frederick. Both taught American history, and made it fascinating. Actually, Mr. Frederick was the one who introduced me to D-day deceptions schemes, and that lead to most of the plot for my fist novel, ESPIONAGE.

I think my best English teachers were Mr. Lindholm, Mr. Teals, and Mr. Robertson. They made us think. And the day Mr. Robertson told us we didn’t have to limit our essays to the standard five-paragraph formula was one of the most liberating of my entire educational experience.

(Yes! A teacher who can think outside the box and–shudder!–lead his students to do likewise.)

ME:  Were you writing stories in high school and college, too, or were classes and swimming taking up all your time? And I must have a photo of you in a race, either in high school or at BYU.

AMANDA:  The first chapter of ESPIONAGE is actually a story I did for a high school English project. After I finished it, I started thinking more about the main character and came up with ideas about what could happen next. I ended up rewriting the beginning several times (and changing it from first person to third person), but the essential plot elements of Peter’s trip to the Nazi base in France are basically the same as they were when I was a junior in high school. The rest of the book wasn’t written until after college (because I had too many other things to do during those years), but I think some of the plot ideas for later in the book had been in my head since my junior or senior year of high school. I did manage to sneak in a little research, though, in both high school and in college, when we got to choose our own research projects. I did at least two of them on D-day deception schemes, and a few on other WWII topics.

2002.09 BYU pic(Amanda racing breaststroke for BYU . . . actually, she faked it for the photographer)

ME:  Please share the story of your first book and how it progressed from idea to publication.

AMANDA:  I finished a first draft of ESPIONAGE in early 2005 (although it wasn’t called ESPIONAGE at the time—that was Covenant’s choice). By 2006 I had it cleaned up enough that I wanted to look for an agent or an editor. I got the usual rejections, and whenever that happened I went to work on revising it yet again.

Cover_FRONT_Espionage updated, small version

In the middle of 2008 I got my first rejection from Covenant via email. They said it didn’t fit their current marketing needs. I figured I didn’t have much to lose, so I emailed back and asked if there were changes I could make to have it better fit their needs. (Take a lesson. Never give up, but use rejections to your advantage.) They sent me the forms from their outside evaluators and I incorporated most of the suggestions and sent it in again. I didn’t hear anything for eighteen months, so I assumed the answer was “no,” but when I got back from taking my newborn twins to their two-week check-up, I had an acceptance email. (Yay!!!) It was almost two years after its formal acceptance that ESPIONAGE finally reached bookstore shelves, but with two infants for me to take care of, that was probably a good thing.

ME:  How would you compare it to its sequel, SWORN ENEMY? And what is the main storyline of your third WWII novel?

AMANDA:  They’re all WWII spy novels with some of the same characters. I’ve tried to write them so they can each be read without reading the other books, but there is a definite chronological order.

I learned a ton about writing with ESPIONAGE, so with SWORN ENEMY I feel I was able to fix problems earlier in the process and I think my writing has gotten a little better. The characters go through more dramatic growth in Espionage. They change in Sworn Enemy too, but the change is more subtle. Sworn Enemy has more characters and more subplots. I’d also say the “can’t put this book down” part starts a little earlier in the sequel.

Cover_FRONT_Sworn Enemy_lr

Espionage is fun because the history ties into D-day, and that’s something most people have heard about and they recognize its importance in WWII. Sworn Enemy is fun because it deals with aspects of the war most Americans aren’t as familiar with, such as the August 1944 invasion of Southern France (the same campaign Saints and Soldiers: Airborne Creed revolves around), and everything that was happening in Romania at about the same time.

The third book is similar to Sworn Enemy in that Peter and Genevieve are involved in separate subplots. Genevieve is in Bari, Italy for most of the book, and ends up in a spy vs. spy duel with a Italian Fascist assassin. (Sounds exciting! Besides, those of you who have read my bio know I have a thing for Italy.) Peter and some of his teammates from Sworn Enemy (Jamie, Krzysztof, and Moretti) are sent on a mission into Yugoslavia and end up stranded there, where they have to deal with not only the Nazis, but also three different factions in a civil war. The third book is perhaps more emotional than the first two (but there’s still plenty of action), and has a beautiful message about hope, even in times of war.

ME:  How many hours of writing can you put in at night once your twins are asleep without feeling like you’re neglecting your husband? In fact, what does he think of your career? (And I’d love a photo of the two of you.)

AMANDA:  I try to do most of my writing during “nap time,” which is changing into “quiet time” as my children get older, and often it isn’t all that quiet. On a good day I’ll have two hours. Then I have the evenings to spend with my husband, catch up on my reading, or browse Facebook and blogs. And yes, sometimes I write in the evenings too, especially if I’m on a deadline.

My husband has always been supportive of my writing. It was a hobby I spent several nights a week on when we met, so some of my characters have been part of my life longer than he has. Although he’s not much of a fiction reader, he’ll help me find plot holes and do quick research for me. And he was very understanding the night I spent hours pouring over pictures of WWII soldiers, trying to find a good view of their butts. (Too funny!) I wanted to check the pockets, because I’d just seen the cover for Sworn Enemy, and I loved it, but most army uniforms didn’t have pockets like that. But the Marines did, so close enough, right? (That’s a plausible excuse. Just kidding.)

55_web(Amanda with her “understanding” husband)

ME:  What are you currently working on and how would you describe your process? Do you ever see yourself moving beyond WWII fiction?

AMANDA:  I’m working on yet another WWII spy thriller, with new characters. I’m hoping to finish the first draft by the end of August. (I’m also hoping to sell my house by the end of August–we’ll see if I manage both.) It’s about two American spies working in Rome in early 1944, trying to gather information for the Allied armies, elude the Gestapo, and avoid falling in love with each other.

(Sounds terrific!)

After that, I want to write something that isn’t WWII, although I have plenty of other WWII ideas–I seem to get a new one with most research books I read. (And, believe me, she reads a lot of them. I have her as a friend on Goodreads.) I’m not sure if I want to do a contemporary suspense novel, or if I want to go back and finish a manuscript set in Serbia in the 1300s. It’s similar to my other books in terms of adventure and romance, but instead of battling Nazis, the characters are fighting the Ottoman Turks.

(Now that really sounds intriguing. My vote is Serbia in the 1300s. There are plenty of contemporary thrillers, but who’s read anything about Serbia in the early middle ages?)

My writing process changes with each novel, but I find that my outlines are getting more and more detailed with each book. And each book is being written a little more quickly than the last one, and I think those two facts are related. (I think you’re right.)

ME:  Last of all, please share the five things that make your writing space special and provide a picture.

AMANDA:  I can write just about anywhere, as long as my kids are out of my hair for a few hours! I just need my laptop. Sometimes I work at a desk, but usually I put my laptop on my lap, put my feet up on the coach, and type that way. So I actually have a lot of writing spaces: desk, upstairs couch, downstairs couch, bedroom chair (although I had to give that space up when we took the sides off the cribs). We’ll see where I end up writing when we move—I’m hoping to have my desk and my history books in the same room.

What makes these spaces special? My computer, quiet, and easy access to electricity, chocolate, and research books.

(Ah, yes. No five essentials would be complete without chocolate.)

DSCN4197(One of her several writing spaces)

You can find out more about Amanda on her website or blog, and her books are available at most LDS bookstores or online at Amazon, Barnes & Noble, Deseret Book, and Seagull Book.

Next Wednesday, I’ll be talking with award-winning author and editor, Lu Ann Staheli, who has recently released a great new coming-of-age novel.

Lu Ann Staheli author photo

Originally posted 2013-08-07 06:00:37.

“Wednesday Writer” – Chris Jefferies

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I pulled a switch to accommodate the needs of one of my scheduled authors, so we’re visiting today with historical fiction writer, Chris Jefferies, instead of fantasy author, Karen Hoover. But I promise–she’ll be here next Wednesday.

In the meantime, let’s get to know Chris better, shall we? This is an award-winning writer (a bronze medalist for Best Regional Fiction by the Independent Book Awards) who, like me, came a bit late to the game. But that doesn’t mean he doesn’t know his stuff. He does.

Chris L. Jefferies, PhDME:  How old were you when you wrote your first story, and what was it about? (Also, I’d love a picture of you as a child to post with the interview.)

(Note: I asked that question assuming that he, like most of us, had first tried his hand at creating a story in elementary school . . . No such luck, but he was such a cute kid that I’m posting the picture anyway.)

chris3yrs(Here he is at 3 and he’s already showing an interest in the military!)

CHRIS:  I first began writing seriously during my Air Force career when my bosses discovered I could write. (Notwithstanding the picture above, this was not when he was three. :D)

That led to writing for professional journals and other periodicals over the years. I’ve always enjoyed reading novels, particularly historical fiction, and over a period of time I began reading them with a critical eye. I finally concluded I could write better than many of the authors I was reading. I wrote my first story during my early 60s. That story became the first ZION’S PROMISE book.

ME:  Where did you grow up and how has it impacted you as a writer?

CHRIS:  I grew up in Oakland, California, where my parents moved from Utah during the late 1930s, but my family roots remained in Utah, particularly Grantsville. That’s the town, on Utah’s western frontier, where almost all of my ancestors settled after emigrating from England during the mid-1800s. So I grew up with a keen awareness of my Mormon Pioneer heritage which, in turn, influenced my writing.

(More about that later. But here’s a picture of the land around Grantsville.)

hastings.grantsville

ME:  Please fill us in on your education and career up until the time you decided to begin writing the ZION’S PROMISE series. (And I hope you won’t mind if I post a picture of you in your Air Force uniform . . . as an adult, that is.)

CHRIS:  I am a career Air Force officer and a retired colonel. Spanning 28 years, my career includes 8 years flying world-wide airlift missions, a tour flying C-130s in Vietnam, a tour as an exchange officer with the British Royal Air Force, five years on the faculty of the US Air Force Academy, service at NATO headquarters in Brussels, Belgium, and two tours in Washington, D.C. (Okay, I’m officially tired.)

CHRIS UNIFORM(There’s the man in uniform.)

After retiring from the Air Force, I served as an administrator at the University of Oklahoma, and then as the Executive Director of the Chisholm Trail Heritage Center and museum. (Wait! What about retirement? The Air Force didn’t wear you out?)

My educational degrees are from BYU, a Master’s from the University of Pittsburgh, and a PhD from the University of Oklahoma. (Envision a snappy military salute to Dr. Jefferies at this point.)

Chris Jefferies(He looks like someone with a PhD, doesn’t he?)

ME:  It’s apparent that history is important to you. After all, you’re a western historical fiction writer and you currently serve as editor of Prairie Lore, the journal of the Southwest Oklahoma Historical Society. Why does history matter so much to you?

CHRIS:  I’m not sure why, but history has always fascinated me. (Me too.) I have always chosen history when given a choice of reading materials. As I grew older I began to appreciate that we are who we are because of our history. It defines us as families and individuals. I firmly believe that our ancestors influence us even today, often by whisperings of the spirit. (Agreed.)

Zion's Promise 1ME:  What gave you the idea for ZION’S PROMISE, and did you envision it as a series to begin with?

CHRIS:  No, I did not envision my first book as a series. It just happened. The idea for ZION’S PROMISE grew from two sources.

First, my great-great grandfather’s journal. As I read his accounts, I was intrigued by his adventures, many of which surpassed those I had read in historical fiction novels over the years. (Hint to readers: you might be well-advised to start digging through your attics for your ancestors’ journals.)

Zion's Promise 2

The second idea grew out of my admiration for Porter Rockwell, one of the unsung heroes of Mormon history. He is a fascinating character, and the factual accounts of his exploits read better than a novel. When I realized that he and my great-great grandfather were contemporaries, whose paths had crossed, I concluded I had the source material for a novel. 

ME:  Does the story change through the course of the series and, if so, how?

CHRIS:  The story line is the adventures, trials, sacrifices and triumphs of a Mormon family emigrating from England in 1861 to join the Mormon Zion in Utah Territory in search of the blessings and opportunities it offers. That continues throughout all three volumes.

Zion's Promise 3The events evolve more than change as they emigrate, settle on Zion’s western frontier, and struggle to establish their own Zion in the face of adversity and challenges.

author.bookfair.10-12(And here’s the author at a signing)

ME:  You’ve described yourself as a “rut-nut.” Could you explain exactly what you mean by that, and please share one of your most memorable experiences in your exploration of the western migration trails. (And I must have a picture of you out on the trail.)

CHRIS:  A “rut-nut” is a self-descriptive term for one who seeks out and follows old frontier trails and roads, looking for evidence of those who originally traveled the trails.

My most memorable experience was standing on a stretch of Mormon Trail ruts in Wyoming with my father, and both of us realizing that our direct ancestors passed by that very spot. It was as though they were whispering to us.

IMG_0458(Here they are on the spot. What a resemblance between father and son!)

ME:  Please describe your research and writing process. Does one precede the other or do they go hand in hand for you?

CHRIS:  Before I begin writing, I research as much general background material relevant to my intended story as I can until I feel confident enough to start. For example, before I began volume 3, in which I describe Colonel Conner and his California volunteers sent to Utah Territory at the beginning of the Civil War, I researched what life was like for the frontier soldier. Then, as I got into writing, I referred to contemporary journals and accounts by actual soldiers of the Volunteers. So the answer is both: research begins before I write, and continues during the process.

ME:  What are five things you have on or near your writing desk that make your creative space special? (And please send a photo of your writing space.)

CHRIS:  I don’t think I have anything special in my writing space, except a good dictionary and thesaurus. And, of course, stacks of books . . . Oh yes. (You see, I knew there’s be something.) There is one special item: a needlepoint that Betty, my wife, sewed for me years ago. I still like to look at it.

(Drat! The only picture I could find of him at a desk doesn’t show the needlepoint. I wonder if it’s a design, a picture, or a saying.)

Chris Jefferies at desk(That desk looks old enough to have some history behind it.)

ME:  Finally, I hope you won’t mind sharing one of your great-great grandfather’s most interesting journal entries.

CHRIS:  Most of his entries are factual and brief, and emotion-free. Putting feeling and emotions into these accounts was my challenge as an author hoping to bring him to life. I think I succeeded. However, there is one entry he made at the journal’s end that impressed me the most as one of his direct descendants. It may be of interest to others.

William Jefferies & WO0002(First, a picture to help you visualize the man behind the pen. Chris’s great-great grandfather, William Jefferies, with two of his children/grandchildren.)

I have dwelt somewhat lengthily on several incidents in my early life, because I perceive in them the visible hand of my Father in heaven, in leading, guiding and directing my course, so as to bring me into his fold, and give me a chance to secure unto myself eternal lives, in his celestial Kingdom. Others may not acknowledge His hand in such matters, but I do, and I feel thankful to Him for the benefits of His guiding Hand all my life through, thus far; and I hope to be able to serve Him faithfully all the remainder of my days, so that when I shall have to give an account of the deeds done in the body, I may be considered worthy to be an heir of God and a joint-heir with Jesus Christ, and dwell in the mansions of celestial light and glory for evermore. 

(Wow. Talk about a voice whispering from the dust.)

If you’d like to know more about Chris and his writing, please check out his website. And you can order his books here.

Next Wednesday, I promise to chat with Karen Hoover.

photo

Originally posted 2013-07-17 15:43:24.

“Wednesday Writer” – GG Vandagriff

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GG has long fascinated me. First, there are those initials (which, believe it or not, I forgot to ask about). She writes a range of fiction–from romance to historical (and sometimes both)–but she always chooses an interesting, evocative setting. And, more likely than not, it’s a place she’s visited and spent time getting to know well. Let’s get on with the interview, and be sure to read through to the end because GG’s offering to give away one of her books in either Kindle or Nook format to one of those of you who leave a comment! (I’ll let Random.org decide.)

Me:  Tell me about the first story you ever remember writing.

GG:  I was in fourth grade. My story, “The Ballerina Who Couldn’t Dance,” (about a doll) won the elementary school contest. I remember how wondrous the process of writing seemed to me as the story came alive in my mind.

Me:  You say on your website that you were “wired to be a writer.” How so? And why did you ever get mixed up with finance as a career?

GG:  The reason I feel I was “wired” to be a writer is because from a very early age I was seeking and creating alternative realities. I came from a severely dysfunctional family, and this was my escape. Also, writing is in my genes–my great grandfather had his own newspaper and came from a long line of newspaper editors. (Okay, that proves it!) Another factor is my bi-polar disorder which is a very frequent malady among novelists. It causes me to take a more in-depth look at the world and my emotional responses to it. Also, the disorder causes creative tension, which is only resolved by creation itself.

(Ah, so writing heals you in a way.)

As for finance, that was a fluke. I was living in Boston looking for a job after college. I gave my resumé to Harvard and they had me interview for the job of Assistant to the Treasurer! (That must have been some resumé!) I got it. I learned about bonds and investing there. I went on to work at Fidelity Investments, and with that background, after I obtained my master’s degree, I was hired by Continental Bank of Chicago to be the first woman International Banking executive. I put my husband through law school with that job, but hated it intensely! Thereafter, I taught economics in college.

(Liz, if you’re reading this, you might want to consider GG for a future Treasurer on the LDStorymakers board of directors.)

Me:  What kinds of things happened during your childhood and adolescence that influence your writing today?

GG:  One of the really good things that happened was that my father sent me to England all alone when I was 16 to stay with a client’s family. That visit changed my life. I saw the “greater world” for the first time, made friends with people far older than me, developed a passion for history, and realized that real life could be more exciting than reading.

Also, my aunt, who also struggled with bi-polar disorder, had great faith in me and my childish scribblings. She told me I was destined to be an “authoress,” planting that idea in my mind very early. (Good for her!)

The negative influences of my home caused me to seek safety and escape, driving me to incessant reading and all my earliest writing attempts. Reading the “greats” always pays off for a writer.

Me:  In all your travels, which countries have been your most and least favorite and why? (And I’d love a picture or two of you in each, if possible.)

GG:  I love Italy the most, because Florence, the seat of the Renaissance, absolutely sparkles with possibilities. When you see the art of Michelangelo, Brunelleschi, Raphael, and all the great artists of the age, it makes you realize that artistic miracles are possible. Something in the air of Florence completed a creative circle inside me. I was able to take my writing to a new level.

A view of the famous Duomo in Florence, Italy. The air does sparkle, doesn’t it?

Living in Austria for six months was a life-changer for me, as well. I was only 20. Learning the history of that nation caused me to concentrate on studying its politics, art, and economics with such dedication, that my studies grew into THE LAST WALTZ, my Whitney Award-winning epic of the First World War and the Interwar Years.

I don’t have any least favorite place. I have found something to love in all the places I’ve visited. (Well said and indicative of a natural traveler.)

Me:  How did you come to live in the Ozarks after graduating from Stanford and working as an International Banker in Los Angeles? And how much of an adjustment was it, if any?

GG:  Because of our concerns that our children would grow up with the same convoluted values as my family, we wanted to move as far away from L.A. as possible. We made the mistake of visiting the Ozarks in the spring. It was simply breathtaking. We longed for the simplicity of life there. But as anyone who reads PIECES OF PARIS will find out, life was far from simple! We were the targets of bigots the entire 16 years we lived there. It was a huge adjustment for me. However, because I had literally NO distractions (there wasn’t even a bookstore), that is where I learned to write after years of studying and practicing the discipline. All my early novels had their beginnings in the Ozarks. It was also absolutely the right place to raise our children. They had an ideal childhood with the gospel as its center and formed strong, non-materialistic values, as we hoped they would.

Me:  Having served a mission in Italy, I get what you say about how Italians seem to be born with a tendency to love unconditionally. How long were you there researching THE ONLY WAY TO PARADISE and how did that characteristic affect your novel?

GG:  I visited Florence on three different occasions while I wrote that book. The first time was for two weeks, the second time for four days, both with my photographer husband. The third time was on my own for almost a month. That last time was when I finally realized that the magic thing about Florence for me was the people. I had many unbelievable experiences during that visit, proving to me the “agape” of the Florentines, and I used all of them in my book. The title of the book implies that the only way to paradise is to learn to love with Christlike love (agape).

Me:  Let’s have a look at your writing space. Please describe it in the voice of Lady Kate from your novel, THE TAMING OF LADY KATE. (I’d also love a picture.)

GG:  This writing space is dreadfully untidy. There are at least six-months-worth of important  papers lying on the floor waiting to be filed! This woman must have a very selective brain to be able to create in the midst of such chaos! Even her files are not in alphabetical order. I do need to take her on as a project, I think. How much more productive she could be under my influence. Over her desk she has an interesting assortment of talismans, including a Grecian rag doll of all things. And she is very behind on framing her covers–she lacks the last four books! But I do like the cranberry colored walls, the leaded glass book cases, and of course the view! From this author’s window it is possible to see a lovely valley, beyond which lies a lake and beyond that a range of mountains. If I just organize it a bit, even I might find this an inspiring place to work. Though, of course, I would never be anything as frivolous as a novelist.

(Very well done. Unfortunately, GG was away from her computer–traveling–when she sent these responses and so she couldn’t send an actual photo, but I think we get the picture!)

Me:  You say that bi-polar disorder is a common ailment among writers. Why do you think this is so?

GG:  It is a documented fact. Psychiatrist Kay Redfield Jamieson has written a book called “Touched by Fire,” about it. I think it is so because sufferers with this ailment go to depths and heights of emotional experience that other people do not. This enables us to draw scenes that are “larger than life.” It also carves deep into our souls, creating a void that must be filled by some kind of higher understanding of life. If this void is not filled, then suicide is inevitable. Because I am lucky enough to have the understanding of the Gospel in my life, it is possible to fill that void with the love of God. Two of my favorite novelists are Dostoyevsky and Tolstoy. Both of them struggled with this problem, and both arrived at the conclusion that the void could only be filled by living a Christ-centered life.

(Actually, from what I’ve read, Dostoyevsky suffered more from temporal lobe epilepsy–a condition I have–but the two conditions may be related, according to scientists.)

Me:  Tell us how and why you and your husband (Passive Guy) got involved in independent publishing. And why does he use that moniker?

GG:  David uses that moniker for irony. He started his blog and began recording a pastiche of experiences documenting the technological disruption in the publishing industry caused by the e-book and self-publishing. We became convinced that this is the ultimate destiny of the publishing industry, and that we wanted to get in on the action.

I decided to try publishing Regency romances because they sell so well in this format. I have been thrilled at the response. I have been self-published since April of 2012, and during that time my sales have far exceeded my sales as a DB author. However, that is only for e-books, and only for Regencies. My other books are still nowhere near my Regencies in sales. However, they are also doing very well. (I have the rights back to all my DB books except the two most recent.)

Me:  Finally, please explain your writing process and tell us what you’re working on now.

GG:  I am a pantser (fly by the seat of my pants). I start with character. When I’m really into the head of my characters, they tell the story. However, I am also learning that I must be in the heads of my readers. I need to be smart about what they want to read and what makes a satisfying story for them. I can’t be totally self-indulgent about this process. If I were a famous author, I could write whatever I wanted to write. But while I am still seeking to be more widely read, I need to be conscious during my writing of what readers in today’s world want to read. A lot of my books have too much angst. I think in today’s unsettled world people are looking for happiness. I know that when I am under stress, I read Regencies. The clean ones have strict values, admirable characters, and are driven to the happy ending, which is always marriage. This soothes the soul. And that is why Regencies sell. So now I am writing Regencies.

Specifically, I am 2/3 finished with “Miss Braithwaite’s Secret,” my third Regency, incorporating characters from my first two books. It will be slightly more serious in tone with better developed characters. It will be interesting to see how its sales do in comparison with my lighter fare.

Thanks for the thought-provoking questions!

My pleasure. :D

If you want to know more about GG, check out her website or blog. And if you want to win a free Kindle or Nook copy of THE TAMING OF LADY KATE, THE DUKE’S UNDOING, THE LAST WALTZ, or THE ONLY WAY TO PARADISE (your choice), please leave a comment.

What do you think about the connection between writers and bi-polar or other neurological disorders? Or what do you think about the future of self-publishing?

Next Wednesday, I’m interviewing Gregg Luke, author of medical thrillers.

(If you’re an author and would like to be featured in my “Wednesday Writer” series, just drop me an email at tanyaparkermills(at)mac(dot)com.)

Originally posted 2012-10-03 06:00:13.

“Wednesday Writer” – M. Ann Rohrer

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I met Ann a little over a month ago, thanks to a friend of mine, and now she’s a member of our local ANWA Chapter, the Columbia River Writers. I wasn’t surprised to find out she belongs to a few other writing groups, as well. And I have Ann to thank for passing along the invitation to take part in the recent Barnes & Noble Pacific Northwest Authors Event. While she has only published one book so far, I expect to see a lot more from her. Once you’ve read about her background, I think you’ll understand why.

ann-rohrer-author-_mattieME:  I heard some stories from the Pratt brothers in my BYU student ward back in the 70s about growing up in Colonia Juárez, Chihuahua, Mexico, but my memory’s poor. Please describe what it was like for you growing up there and include a picture or two. Also, what took your family there?

ANN:  Think southern Utah about sixty years ago; farming community, wide roads, redbrick homes with tin roofs on an acre or two; add tall cottonwood trees and Maples lining the streets. That is Colonia Juárez. Until relatively recently, most of the roads weren’t paved. One or two still aren’t, like the one that passes the family homestead where my mother now lives. I was born in the front room—the big window on the ground floor.

Colonia Juárez house(Interesting. That is not at all how I pictured it.)

My great grandparents were among the many families who came from Utah about 1886, to colonize and farm the land purchased by the Mormon Church (The Church of Jesus Christ of Latter-day Saints) from the Mexican government. My parents left the Colonies around 1950 and didn’t move back until 1980. But, we spent many summers visiting. My grandparents’ house was built in 1920 and didn’t have an indoor bathroom until the 60’s. We knew about outhouses and chamber pots. Haha.

Hated them.

(Can’t blame you.)

Summers in Colonia Juárez meant horseback riding, sneaking green apples from grandpa’s orchard, and proving our courage on the swinging bridge—a footbridge made of rickety planks held together with cables that would sway with every step. The crazy kids would jump up and down causing the bridge to undulate, scaring the living daylights out of us more cautious types.

Electricity was not consistent, and many a night we depended on coal oil lamps for light. Grandma cooked from a wood-burning stove and we did our wash once a week with a wringer washer (Believe it or not, I remember those! My grandma had one. That’s how old I am) and a big steel tub over a fire for the white clothes. I even remember weekly baths in the kitchen in one of those steel tubs. We all took turns. First one to bathe got the clean water. And it was never me.

(Hmm…too slow or didn’t you like baths?)

Colonia Juárez View

I thank Jeff Romney for permission to use this recent picture of Colonia Juárez. Central, in the background, is a Mormon temple, and bottom left in the foreground is a Catholic church. The building on the far right is the Juarez Stake Academy where students have attended high school since 1897. It is a private school owned by the LDS church with a dual-language program open to everyone for the price of tuition. My sophomore year was at the JSA. My parents lived in Peru, South America by that time, and their employer did not provide education after the ninth grade.

ME:  Why, when you were nine, did your family then move to Peru, and how did your years in Mexico compare to your ten years in Peru? Also, how have each of these places affected your writing? (And I must have a picture or two from your years in Peru, preferably one of them showing your whole family.)

ANN:  By the time I was five, my parents lived in Bisbee, Arizona. Dad worked for Phelps Dodge Copper Mine. About 1952 PD joined with other mines to form Southern Peru Copper Corporation. My father spoke Spanish and was hired in 1956 to help open the mine in Peru eventually becoming Drilling and Blasting foreman for SPCC. The picture below was taken about 1965. I’ll spare you the myriad of pictures of blasts that made it so deep. Dad was proud of his work.

Southern Peru Copper(Southern Peru Copper Corporation site)

Toquepala is a community carved out of the western slopes of central Andes Mountains for SPCC employees.

Toquepala

(You can make out the village in the lower left hand corner)

We lived at 9000 feet, the mine was at 11,000 feet, and the reservoir, where we liked to picnic, was at 12,000-14,000 feet, at the foot of the snowcaps. We could be at sea level in less than two hours. One learned to pop their ears or suffer the pain. Annual rainfall was about ½ inch. The mountainous desert was as barren as a sand dune. Close to the equator, Toquepala daytime temperatures never exceeded 75◦ and nighttime temperatures rarely dropped to freezing.

Naturally, life’s experiences surface in my writing. Anyone reading my books will learn about green apples, weekly baths in steel tubs, wringer washers, the terror of earthquakes, and the expansive beauty and terrible force of the unforgiving Pacific.

Ann with family(Ann, front and center, with her family)

ME:  I’m curious about the reason you returned to Mexico for your sophomore year and why you didn’t stay there to finish high school rather than go back to Peru (where you earned the rest of your high school degree by correspondence).

ANN:  After ninth grade, there were three options:  boarding school in Lima 600 miles away, return home to live with relatives, or correspondence.  My parents chose to send me to Mexico to live with my Dad’s brother and his wife—wonderful people with a large family, who had a daughter my age. I was fifteen—too young, and terribly homesick. Returning to Peru for the summer, I decided to stay, choosing option three to continue my education. Through correspondence, I finished my junior and senior year in twelve months and enrolled at Brigham Young University at age seventeen. . .just.

(Good for you!)

ME:  Have you always wanted to be a writer and, if so, what was the first creative piece that convinced you that you could succeed as a writer? Please share what you remember about it.

ANN:  Haha. You should ask. It’s not glamorous, nor impressive. My mother loved my letters and told me I should be a writer. (Yay for mothers!) She said it often enough, it became a recording in my brain, and when my last child entered high school, I signed up for a creative writing class.

Over a period of fifteen years, I wrote two novels—the first one about eight times. I didn’t know if I was any good; I only knew that writing was my passion second only to chocolate and caramel. Finally, I braved a critique group about four years ago. The others were published authors who validated me as a writer. You would have thought I had won the lottery—or landed a publishing contract—I was that excited. Haha.

(We do have a responsibility, I believe, to validate each other as writers. Yay for critique groups and mothers!)

ME:  What were your earliest memories of Tucson, Arizona where your family ended up in 1965? Whether you remained there for college or went elsewhere, I’m curious if and how much you were affected by culture shock and what you ended up focusing on in college.

ANN:  I don’t remember much culture shock, other than craving bologna sandwiches and Rainbow bread. Shopping was awesome. The young men didn’t whistle or cat call. That was a relief. The biggest shock was seeing snow for the first time. I was seventeen. It quickly lost its charm. I remember one morning, my third semester, middle September, lying in bed groaning because I knew without looking, from the sloshing sounds of the passing cars, that it had snowed. Haha.

Out of money and at loose ends and very homesick, I quit school and joined my parents in Arizona. I planned to work a couple of years and go back to school. Instead, I served a two-year mission for my church in Mexico City and then got married.

(By the way, Ann and her husband are currently serving a local church service mission together here in Kennewick, Washington.)

ME:  I imagine you were (and probably still are) fluent in Spanish. After settling stateside, did you find yourself drawn to the Hispanic community? Where did you find your best friends?

ANN:  Four of my grandchildren are Hispanic. While I speak Spanish, my grandchildren don’t, and their father learned to speak it when he was a missionary in a Spanish speaking country, as did four of my six children. I have great friends of both ethnicities.

MattieME:  How did you come to write MATTIE, and what are the basic themes of the novel?

ANN:  I wrote a short story about an incident during the Mexican Revolution experienced by my grandfather. The professor suggested it would make a good chapter for a novel. It was the only positive feedback I got from him. Haha.

Except for a couple of chapters, MATTIE is set in Mexico. Based on the lives of my maternal grandparents, it is a story of struggle, faith, and courage with a hint of romance and a healthy dollop of history during the Mexico Revolution. Viva Pancho Villa!

Pancho Villa(A picture of the Mexican Revolutionary)

ME:  How would you describe your writing process and what are you working on now? Also, what is the most important principle you feel a writer should always follow?

ANN:  If at first I don’t succeed, then to heck with it. Haha. I agonize over theme, story line, plot, and characters, and get it down from start to finish. Then, I do what I love, checking for consistency and fleshing out the story with description, emotion, and dialogue.

Currently, I am in the what-I-love phase of my second novel and in the agonizing phase of my third novel, a sequel to MATTIE. For now, the sequel is percolating on the back burner at about chapter three while I get book #2 ready to pitch to a publisher.

(I told you there would be more coming.)

The most important principle a writer should follow, you ask? Is there just one? Haha. I expect every writer has a list of what is most important. Let me add just one: don’t get attached to your literary genius. Be willing to slash and burn, even if it’s brilliant.

Very painful, indeed.

(Agreed.)

ME:  Finally, please describe your writing space as the character Enos would describe it from your novel. (And please include a picture of the same space.)

ANN:

“Enos thought he might find her at the kitchen table bent over a pile of papers writing in the flickering shadows cast by the coal oil lamp. Instead, she was comfortable in the family room sitting in a new fandangle chair with a hidden foot prop that whips out so she can put her feet up.  Surrounded by electric lamps, making the room bright as noonday, she opens what appears to be a black notebook without any pages. Placing it on her lap she stares for hours at a little picture-show, her fingers flying over rows of tiny squares with the alphabet painted on them in no particular order not making a lick of sense, but somehow it comes out right, like a printed page from a book.”

(Love it!)

Ann in writing space(And here she is at work!)

If you want to stay abreast of Ann’s work, you can check out her website or blog, or connect with her on Facebook and Twitter. Her historical novel, MATTIE, is available on Amazon, Deseret Book, and Barnes & Noble.

Next Wednesday, I’ll be interviewing another local Pacific Northwest author, Patty Old West, who, together with her husband, writes fanciful tales of the “Little People.”

Patty Old West

Originally posted 2013-09-04 06:00:45.