The Suspense of “Moleskine Mondays”

Present word count of WIP:  59,112

Whether you’re writing suspense, romance, fantasy, or science fiction, or simply in need of a handy sketchbook, nothing beats a Moleskine notebook for jotting down ideas and sketching on the go.

Where did these notebooks originate? According to Wikipedia, these kinds of notebooks were standard in 19th and 20th century Europe and used by such writers and artists as Oscar Wilde, Vincent Van Gogh, Pablo Picasso, Ernest Hemingway, and Henri Matisse.

Today’s Moleskine notebook is designed to look like those used by the English novelist and travel writer, Bruce Chatwin. In fact, he gave the books their nickname in The Songlines. His original supplier, a stationery store owner in Paris, told him in 1986 that the last notebook manufacturer, a small family-owned establishment in Tours, France, had gone out of business. He said, “Le vrai Moleskine n’est plus” (“The real Moleskine is no more”). He quickly bought up the remaining stock.

So if they died out, how is it that we have them today? Apparently, the Italians came to the rescue in 1997 (long after I left Milan). Two years later, they started distributing beyond Italy in Europe and the U.S., eventually expanding into Asia.

Anyway, they eventually got bought out, appropriately enough, by a French investment fund, though the items continue to be designed in Italy. Today, Moleskine products range from notebooks to bags, computer cases, reading glasses, pens and pencils, booklights, and reading stands. They are available in more than 53 countries and usually found in bookshops.

So what do I mean by “Moleskine Mondays?”

Every Monday, I’m going to try and blog about things having to do with the business of writing. I chose “MOLESKINE” as an acronym to summarize those things:

1. Media – things like…

  • moleskin notebooks, PCs, iMacs, iPads, Typewriters, Netbooks, Laptops, pens, etc.

2. Organization – things like..

  • office layouts, outlining methods, filing methods, planners, etc.

3. Libraries – I love personal libraries, so this will include..

  • cool ideas for personal home libraries (with pictures) and how best to organize them.

4. E-readers – you guessed it…

  • reviews (pros and cons) about each kind of e-reader as well as news of developments in the digital age.

5. Software – this means…

  • reviews (pros and cons) about the different software writing programs available on the market and their prices.

6. Knowledge – this will cover…

  • the best resources for research information and/or training for writers, whether it’s a website, a book, or a writing conference.

7. IPad Apps – naturally, these posts…

  • will review the different apps a writer might find useful and why or why not they work.

8. Networking – I’ll discuss…

  • the various social networking possibilities online, as well as how best to build relationships with agents, publishers, bookstores, book clubs, online reviewers, schools, and libraries (I’ll be wanting a lot of input here since so many of you know so much more than I do).

9. Events – you know, ideas for all those writer events like…

  • book signings, book club appearances, book launches, school appearances, conference presentations, etc.

How cool is it that my favorite number happens to be 9 and there are exactly 9 letters in MOLESKINE? Believe me, I’m going to welcome a ton of input and shared experience each Monday. Though I’ll try to post in order by letter, you won’t know the exact topic until you read it. That’s where the suspense comes in. I’ve just covered Media with this post about Moleskine notebooks, so next Monday it will be something about Organization.

What do you think about “Moleskine Mondays?” Did I leave anything out about the business of writing and, if so, can it still fit somewhere in my acronym?

Originally posted 2012-06-25 16:40:44.

Publishing’s Paradigm Shift – e-Books and e-Readers

Electronic readers, or eReaders, have been around for a while. I remember visiting a good friend six or seven years ago, whose husband was an avid fan. He pulled out two or three different kinds to show me. While I wasn’t that impressed at the time, he wisely predicted the day would soon come that the right platform and right device would eventually come along and tear down the wall that major publishing houses had built around themselves and all their readers.

Enter Amazon (the most popular platform of choice at present) and the Kindle. Soon after the Kindle, we got Barnes & Noble’s Nook, the Sony eReader, and then Apple’s iPad. Here are some statistics I shared at the retreat:

  • There are currently 49 different E-reading devices, including:
  1. –Kindle (Amazon)
  2. –iPad (Apple)
  3. –Nook (Barnes & Noble)
  4. –Kobo (Kobo Books)
  5. –Sony Reader (Sony)
  6. –? (Google)
  • Retailers will sell 6.6 million e-readers this year (3 million iPads have already been sold)
  • By year’s end, 20% of households will have an e-reader.

I put a question mark at #6 above, because a lot of rumors are flying around about Google coming out soon with its own device to hook up with its platform, Google Editions. A recent LA Times article by Carolyn Kellogg played up this point:

“…Google announced it would move forward with its e-bookstore Google Editions, filling it with books whose rights were not under dispute…As if Google Editions weren’t enough, Google has another big question mark looming this season: Will it launch an e-reader? It is well positioned to rival Amazon.com and Apple as a major purveyor of e-books—and if it follows their leads, it will pair content with device and launch its own e-reader. The most recent rumors say that Google will launch a tablet manufactured either by HTC or Motorola, based on either Chrome or Android. Everyone seems to agree that Verizon is the likely wireless partner.” (Carolyn Kellogg, “Fall Preview: Publishing,” LA Times, Sept. 12, 2010)

My friend’s husband was right. Now that we’re coming out with the right platforms and devices, electronic books are here to stay.

At first, regular readers weren’t so sure. The Kindle was priced kind of high when it first came out, but as others joined in the competition, prices began to drop. Here are some more statistics I shared about eReaders:

  • 10 average priced e-books will offset $139 cost of Kindle
  • 12 average priced e-books will offset $149 cost of Nook
  • 39 average priced e-books will offset $499 cost of iPad (which is a good bit more than just an e-reader)
  • $99 can buy you the 5-inch Libre at Borders

Do you have an e-reader? I do, through my iPhone (which has a Kindle app). And we’re not alone. It’s estimated that, by the end of this year, 10.3 million U.S. homes will have an e-reader, according to Forrester Research. Not only that, but book sales are increasing because e-reader owners buy more books. E-reader owners buy an average of 15 e-books per year (and two thirds of e-readers already owned are Kindles). According to a recently released Harris poll, those who have e-Readers do, in fact, read more.

Here’s how it breaks down: Forty percent of Americans read 11+ books a year. Of those, only nineteen percent read 21+ books a year. But among those with e-Readers, 56% read 11-20 books a year with 26% reading over 21 books a year. E-reader users are also more likely to buy books (good news for us authors). And 53% of those with e-Readers say they read more now than they did six months ago. (I know I do.)

So, how are e-books doing over all?

Sales of e-books are up 200% from last year, but still only represent 3-5% of total sales for publishers (I think this statistic has probably changed over the last month). Mike Shatzkin, a publishing consultant, estimates e-books could be 20% to 25% of total unit sales by the end of 2012. Carolyn Reidy, the chief executive of Simon & Schuster, said in an interview that e-books currently made up about 8% of the company’s book revenue. She predicted that it could be as high as 40% within three to five years. Others are predicting it could go even higher–50%–by 2013.

Are e-books a good thing for us, as authors? Definitely. I tend to agree with literary agent Alexandra Machinist:

“At the moment, anything that gets readers to buy more books is a good deal for writers. I’m of the opinion that e-books provide a vast landscape of impulse purchasing and middle-of-the-night, next-in-series buys that don’t exist with traditional paper books.”

Can we make money by making our books available electronically? Definitely, but the amount we make depends on how big our audience, or platform, is.

The late Swedish writer Stieg Larsson was the first writer to sell more than 1 million Kindle books. But his books kind of caught fire and he developed a huge fan base quickly.

Can your e-book outsell your traditionally published book? Yes, given the right buzz.

In its first five days, Laura Lippman’s thriller, “I’d Know You Anywhere,” sold 4,739 e-books and 4,000 physical hardcovers. “This is the first book of ours of any consequence that has sold more e-books than hardcovers in the first week,” said Frank Albanese, a senior vice president at HarperCollins. “What we’re seeing now is that if a book gets a good review, it gets a faster lift on the digital side than it does on the physical side because people who have e-readers can buy and read it immediately.”

Every serious writer today should definitely become familiar with digital publishing. We can’t afford not to.

In my next posting, I’ll be talking about the effects of this shift on Publishers.

Originally posted 2010-10-22 11:36:13.

Publishing’s Paradigm Shift-An Introduction

(Over the next several days, I’m going to share a presentation here on my website that I gave at a recent writers retreat on changes the publishing industry is currently experiencing. I am no expert. Far from it. However, I have done a lot of reading and researching and have pulled together a lot of information useful to writers as we look into the future of a business very much in flux.)

In 1962, Thomas Kuhn wrote The Structure of Scientific Revolution, in which he popularized the concept of “paradigm shift.”

What is a paradigm shift? Kuhn described it as a “series of peaceful interludes punctuated by intellectually violent revolutions,” wherein “one conceptual world view is replaced by another.” It’s usually driven by agents of change. Think of the advent of Agriculture (the plow), the Copernican system (telescope), Newtonian physics (discovery of the law of gravity), the Reformation and Education (printing press)Then think of all that has come into being since the advent of the Internet.

In our own generation, we have witnessed (or are witnessing) three big paradigm shifts in terms of the arts–first with movies, then with records, and now with books.

Hollywood started out with big movie studios like Warner Brothers and Metro Goldwyn Mayer, many of which have devolved into many smaller independent producers, but the really big change for the industry came with TV. At first, they worried that television would mean the end of the movies, but the studios got smart and aligned themselves with TV and cable networks so that, by the time everything went digital, they were still in control, reaping the benefits of TV and producing feature films as well as DVDs of those films. Producers and studios are still in control, but the more movie-making becomes computerized and digitized, the closer movie makers will come to dealing directly with their fans through the Web and bypassing studios altogether. Think YouTube and beyond. Video stores are already no longer necessary. The movie business is undergoing a paradigm shift.

In the recording industry, for years we had records, and artists needed to be signed with major recording labels to get published, so to speak. The cassette tape only provided another way to package those recordings, but the real change came as music became digitized and Napster and then Apple (think iPod and iTunes) made it possible for artists to bypass the big record labels once they had their audience, marketing directly to their fans. There are no more record stores. The music industry has experienced a paradigm shift.

As with film and music, books are being similarly affected. The distance between the creator (i.e., the author) and his/her audience is shrinking through digitization. Bookstores are closing across the country. The publishing industry is undergoing a paradigm shift as we speak and all aspects of the business are being affected.

As Jason Epstein put it in a March 11, 2010 article entitled, “Publishing: The Revolutionary Future,”

“The transition within the book publishing industry from physical inventory stored in a warehouse and trucked to retailers to digital files stored in cyberspace and delivered almost anywhere on earth as quickly and cheaply as e-mail is now underway and irreversible. This historic shift will radically transform worldwide book publishing, the cultures it affects and on which it depends.”

Everyone who reads will be affected, but those whose jobs are most on the line are:

  • Publishers (both traditional and non-traditional) and their employees
  • Agents
  • Booksellers (independents, chains, and online) and their employees
  • Authors (both traditionally published and self-published)

What has proved to be the agent of change for publishing? I would argue that while Amazon.com has been to publishing what TV was to the movies, the real agent of change is the e-book.

More about the e-book and e-readers in my next posting.

Originally posted 2010-10-20 11:16:06.